The Watchtower of Destruction: The Ferrett's Journal - Book Reviews #89 through #95: “Vacation”’s All I Ever Wanted
December 25th, 2007
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Book Reviews #89 through #95: “Vacation”’s All I Ever Wanted

For those of you wondering at my reading speed: Between 9:30 and 6:00 today, barring the usual interruptions of checking in and eating and so forth, I finished two-thirds of The Dirt on Clean, polished off the translation of Beowulf, devoured Ghost Brigades, and then got 230 pages into The Year of Living Biblically.

I wasn’t particularly trying, and admittedly all of it was light reading – while that’s probably about a thousand pages overall, I know I wouldn’t have been able to finish off SQL For Smarties in that timeframe.

But I am inching closer to the centennial mark for the year, which is nice.

Book Review #89: Fiendish Codex #1: Hordes of the Abyss
I’ve picked up increasingly few D&D books now that I no longer use the D20 system for my game mechanics. That’s a shame, because there was a time when D&D books satisfied both the crunchy and the imaginative bits for me – they had whole landscapes I could steal as a GM, realms and monsters I could use in any campaign.

Alas, the newest books are filled with new spells and mechanics that really are only useful if you’re using 3.5. You can take up a ton of space with new prestige levels, but none of that means anything if you’re using a point-based system.

This book, however, is what I’d like all D&D books to be like. It’s chock-full of D20 tidbits, but it’s also packed with lots of creative ideas for the GM that can be used anywhere. And it’s made with the GM in mind – not only are you given a demon from the Abyss, but you’re given a sample of what this demon will do in the first four rounds, just to show you their common tactics. You’re shown lots of creative, awful locations for PCs to visit, and artifacts that can be dropped easily into a campaign.

This is a book that really shows you what it’s like to fight the hordes of Hell, and it’s very well done. Kudos to the design team, and I hope it sold well for you.

Book Review #90: Military Misfortunes, by Eliot Cohen
Supposedly a classic in the field, this is a book that tries to analyze why modern armies fail. The obvious tendency is to blame one guy for a failed battle, which is both quick and easy, but the authors go deeper, usually looking for systematic failure.

They look at high-profile failures and tag them – the failed American 1942 anti-submarine campaign as “Failure to adapt,” whereas the 1973 Saudi attack on Israel is “Failure to anticipate.” They wrap up with the collapse of France in 1940 as an example of total collapse.

It’s interesting because it shows how it usually isn’t just one man who puts the screws to a whole army – generally, it’s a multitude of small bad decisions creeping up at once, losses that might have been fixed somewhere down the chain except the whole chain is rusting.

I don’t know whether that’s true. What is apparently clear, both here and in modern warfare, is that every army’s always ready to win the last war it fought in. The big problem usually comes from when that army doesn’t understand that technical advances and shifting priorities have altered the shape of things.

That said, this book doesn’t deal with bad decisions. You won’t get any clear-cut “The general should have gone after their the left flank” in here; it’s almost always a more global issue. Which means that what I was hoping to get out of it – namely, an introduction to good tactics – will not be found here.

Book Review #91: Magical Thinking, by Augusten Burroughs
Augusten’s the master of memoirs; both Running With Scissors and Dry were excellent books. And it’s funny watching this collection of essays unfold, because what you see here is a man of considerable writing talent bending his will to… Well, to pretty much nothing.

Because “nothing” is what you find here. He tells anecdotes that don’t climax, they just run to a stop. He’ll describe a character he knows, and then you realize that that’s all he’s doing. It’s not bad, mainly because he has a great turn of phrase, but his inability to place these mundane experiences in the service of some greater philosophy makes this a collection of, “Well, I guess that’s a place it can end.”

Book Review #92: Make Love the Bruce Campbell Way
Bruce Campbell is a man who seems intrinsically comfortable in his role in life. He knows he’s not a great actor, and he knows he’s been in a lot of terrible films. But he also knows he got lucky to have a bunch of fans who adore him, and so he occupies that happy space where he can wink at his audience and say, “Wow, isn’t this crazy?”

This isn’t a memoir – as he admits, he hasn’t done enough since his first two memoirs to make it worthwhile. So instead, he’s written a book on his supposed role in a new Mike Nichols film starring Richard Gere and Renee Zellweger.

What works really well is when he outlines what it’s like to work with big stars, bitching about the little details that make an actor’s life hell; he makes the process of finding and starring in a movie seem like work, but still fun. (Which is why I’ll have to pick up his memoir.) The weaker parts are where, in “research” for his role, he goes around to Southern gentleman’s clubs and Liz Taylor’s apartment in vague comedy sketches. Some of ‘em work, some of ‘em don’t.

But you know, Bruce is affable. He’s like your favorite uncle singing at your wedding; yeah, he’s not great, but who cares? It’s Bruce.

Book Review #93: The Dirt on Clean: An Unsanitized History, by Katherine Ashenberg
During the Middle Ages, the aristocracy was aggressively unclear. Kings bathed perhaps three times in their whole lives, believing that the protective coating of dirt clogged their pores and shut out the plague. Instead, they changed their shirts.

I was expecting a neat little history of what sort of habits the peasants had… But what I wasn’t expecting was some excellent writing that not only discusses how people cleaned themselves, but how the attitudes they carried towards cleanliness have changed. It would have been easy for Katherine to point back and go, “Hoo, look at the stinky peasants,” but instead she manages something more delicate: she makes us realize that perhaps our current obsession with cleanliness and constant fear of BO is something equally freakish.

And there are a lot of good things here, including a very thorough analysis of the Roman bathhouses that’s rife with contemporary bitching about the complaints that the ancients had, and a long discussion of how medicine slowly transformed what people thought of as “sane” habits as the plague first drove people from the publics baths and then back to the sea and then, ultimately, water.

This was perhaps one of the most interesting books I’ve read this year. The only ding I’d give is that the final chapters were less interesting to me, since the 20th century is the rise of advertising and the bringing of the terror of BO – “YOUR FRIENDS WON’T TELL YOU YOU STINK! EVERYONE WILL SECRETLY DESPISE YOU IF YOU DON’T WASH WITH THIS!” – and I’ve read extensively on that. But still, I was surprised at how much of culture comes out, well, in the wash.

Book Review #94: Beowulf, by Seamus Heaney
There were many who complained that the recent movie of Beowulf didn’t have much to do with the book. Which confused me, since the book – or, okay, poem – that I remembered would have made a pretty lame movie.

Here’s what I remembered:

  • Beowulf kills a monster
  • Beowulf kills another monster
  • Beowulf kills a third monster and dies.

“Surely, I must be wrong,” said I. “I’m no studier of classical literature. There must be more depth, more characterization, to be wrung from this!” So I read what is, by most accounts, the best translation (and not the version I read, oh, two decades ago). And here’s what actually happened:

  • Beowulf kills a monster with the power of sheer badassery
  • Beowulf kills another monster
  • Beowulf kills a third monster after his punk-ass army runs off and then dies.

Really. Beowulf is indeed a great story, but it’s not because of the plot; what I find fascinating is that the reason it’s good not because we know Beowulf; we don’t. Beowulf is an action hero without regrets or real motivations. He seeks glory, he wants to fight things, he’s a good man and a good king. But why does Grendel kill people? Who cares? Why does Beowulf do anything? Because he’s a badass.

Beowulf succeeds because it’s tremendously evocative of the culture of its time – the sword triumphs and God saves and nobility is what we all seek. It’s a fabulous window to another era where people were concerned with different things; the actual fighting itself takes up less than five pages. What’s important is the sense of place, the attitudes, the style.

But the story itself? Tissue paper. And a movie based purely on Beowulf would suck beyond the telling. Thank God they changed it, say I.

Book Review #95: Ghost Brigades, by John Scalzi
Here’s a rarity: A sequel that’s flat-out better than its progenitor. “Old Man’s War” was at its best when it was showing the reactions of the newly-regenerated old men, but the last half of the book was pretty cookie-cutter space combat. Ghost Brigade steps away from the temptation to continue the story of the protagonist of the first story, instead finding a new person and telling his story.

Fortunately, that story is just as interesting as the old men, and the plot that propels this story really carries it all the way through. And this is a thornier moral ground, questioning whether Earth is as noble as it thinks it is. I don’t want to give anything away (since a lot of this book depends on surprises), but I will be picking up the third and final book in this series to see where it leads. It’s a perfectly balanced ending for a series, leaving you really wanting to know what happens without feeling like sequel bait.

Book Review #96: The Year of Living Biblically: One Man’s Humble Quest To Follow The Bible As Literally As Possible, by A.J. Jacobs

The quest is fascinating: A.J., a secular liberal Jew in New York, decides to follow all the tenets of the Bible for a year. This is no mean feat, considering that some of the Bible contradicts itself and other tenets are flat-out illegal. But A.J. does his best.

Unfortunately, this one doesn’t gel for me the way The Know-It-All (his quest to read the entire Encyclopedia Britannica) did. He’s living the words but not the heart – which is, in fact, the entire point of it, seeing whether taking on the aspect of an ascetic can change your mind. But whereas he welcomed the knowledge of the Encyclopedia within himself, he holds himself at arm’s reach from the Bible… As he himself acknowledges. And perhaps that’s for the best, since the kind of new life he could create would tear him from his wife and his two-year-old son, but it’s a less interesting journey.

So the Encyclopedia changed him more, and watching that change is the interesting bit. It also feels like we’re stiffed more on characterization here, since his wife has to be irritated by his crazy, beard-growing, non-female-touching antics, and all we get is snippiness. What sort of toll did this take on her? How did his son get affected? Alas, we don’t know.

It’s a fun read. But it feels like a follow-up to me. People seem to like this one better, but I suspect that’s because some people are conditioned to think that books dealing with religion and faith are inherently superior. What we have here is a good book, but not a great one.

(Tell me I'm full of it)

Comments
 
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From:[info]suburbfabulous
Date:December 26th, 2007 04:48 am (UTC)
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MAKE LOVE! was just nowhere near as good a book as IF CHINS COULD KILL..., and I suspect you'll agree once you've read it.
That, or I'll tell you you're wrong.
One of those two, though. Definitely.
Merry Christmas, Otter. Live long and get paid.
-Guthrie, who still loves you
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From:[info]theferrett
Date:December 26th, 2007 03:35 pm (UTC)
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Love you too, chief. And yes, I'll have to pick up Chins now.
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From:[info]suburbfabulous
Date:December 26th, 2007 10:15 pm (UTC)
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If you liked MAKE LOVE!, CHINS will deeestrooooy you.
It is ultra-awesome.
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From:[info]graydown
Date:December 26th, 2007 05:03 am (UTC)
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It is my understanding that Beowulf does not reflect the society in which it was written, but an idealized past that the people of that society wanted to believe in. Kinda like now, actually. ^_^
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From:[info]theferrett
Date:December 26th, 2007 03:36 pm (UTC)
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True enough. The constant callouts to God's might definitely felt like an insertion.
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From:[info]bonerici
Date:December 26th, 2007 05:08 am (UTC)
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Eliot Cohen's is on my top 5 all time best war books. for tactics you should have read principles of war clausewitz classic war tactics, art of war sun tsu bunch of aphorisms not my favorite but it's a classic, you probably already read it, commentary on the gallic wars julius caesar that's a biography that's pretty much all tactics, you probably already read that one too in school or something, it's a great book for tactics, still useful.

something more modern is "the longest day" by cornelius ryan, i'm sure you've seen the movie, the book is really good, reads like a novel, and has plenty of tactics.

I also like the war to end all wars, by coffman
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From:[info]cynic51
Date:December 26th, 2007 03:25 pm (UTC)
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Ryan's "The Last Battle" about the Nazi's final defense of Berlin as the Soviets and Americans come knocking on the doors is nearly the equal of his "The Longest Day". "Day of Infamy" by Walter Lord is about Pearl Harbor and is arguably better than both of them.
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From:[info]bonerici
Date:December 26th, 2007 04:58 pm (UTC)
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thanks. i haven't read those yet. they are on my to-read list now.
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From:[info]theferrett
Date:December 26th, 2007 03:36 pm (UTC)
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I'm thinking about reading Clausewitz now, but am a little intimidated. I've read Sun Tzu twice, but not in the past decade.
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From:[info]bonerici
Date:December 26th, 2007 04:57 pm (UTC)
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buy it. It's exactly what you are looking for, not at all difficult, but often dull reading.
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From:[info]rozasharn
Date:December 28th, 2007 05:07 am (UTC)

Really, for an introduction to von Clausewitz' tactics, read Marketing Warfare

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Marketing Warfare is like the Cliffs Notes to von Clausewitz. A nice simple explanation of the principles of offensive strateg, defensive strategy, flanking moves, guerrilla tactics, t hat whole "attack your opponent in the weak aspect of their strong point" thing... and it's all illustrated with stories of marketing campaigns, like the struggle between Burger King and McDonalds.

Highly enjoyable and widely applicable.
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From:[info]theferrett
Date:December 28th, 2007 03:02 pm (UTC)

Re: Really, for an introduction to von Clausewitz' tactics, read Marketing Warfare

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Oh, good. I've read that one.
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From:[info]amore_di_libri
Date:December 26th, 2007 05:38 am (UTC)
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Okay, I was all la-de-da 'til I got to crazy, beard-growing, non-female-touching antics cuz it didn't really sink into me what living literally by the Bible meant until I got to that phrase. Then it all hit me at once, and I started laughing maniacally. :D
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From:[info]kisekinotenshi
Date:December 26th, 2007 06:30 am (UTC)
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I couldn't stand Beowulf or Gilgamesh when I was in high school (the first, last and only time I've read them). I understand that when you find a story that's thousands of years old, you want the world to know about it, but I don't think they should automatically be booted into the realm of "classics" along with To Kill A Mockingbird and All Quiet on the Western Front. I'm sure some well-meaning Middle Eastern History geek fought long and hard to put Gilgamesh on the reading lists of high schools across the nation, but I think it was mostly a wasted effort, because I know very few non-geeks who give a rat's ass about it.

I felt the same way about the Odyssey, but I'm pretty sure that was just an age thing, because I loved Greek Mythology when I was younger, I just found it a bit harder to slog through a story about someone who was not only not anywhere near my age, but also male and living thousands of years ago. I could probably read it now and find it a lot more interesting than I did then.
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From:[info]theferrett
Date:December 26th, 2007 03:37 pm (UTC)
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It's like I said: I have this sneaking suspicion that Beowulf is kind of like future generations having access to only a single copy of Under Siege 2 and calling it the pinnacle of our moviemaking.
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From:[info]mamculuna
Date:December 26th, 2007 03:53 pm (UTC)
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I think you needed better teachers! We can get into things from cultures different from us in time, space, language, customs, values--but we need a bridge. If someone just tosses you a bad translation and says have at it, you really aren't going to like it. And even a great translation like Heaney's can't stand alone.

The same is true of many classics or just really fine things from other cultures. If no one explains to you what it's all about, it's going to mean nothing. If you get lucky and read it with someone who's had time to really get into the background of it, you'd be amazed at what's there.

Having spent a year reading Beowulf in the original, I think it survived all the wars and hostility of the Christians (including some serious, inappropriate revisions) because it was one of the greatest things around. Writing wasn't easy then--and things like the Odyssey and Beowulf survived at the cost of many people's intense effort. Not same as burning a disk.

High school. Not the place for it.
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From:[info]kisekinotenshi
Date:December 26th, 2007 05:47 pm (UTC)
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Oh, I'll admit that I had truly awful English teachers in high school. In fact, I had truly awful English teachers in college, too, which was always so disappointing because I love books and I love discussing them. But there are certain books and writers that I was drawn to without anyone having to point me in their direction. Emerson comes to mind, as well as Shakespeare. Even in high school, when most of the other students were complaining about being forced to read them, I found them fascinating and read ahead of the class or read more than what was assigned. I never really liked Romeo and Juliet, but I loved Macbeth and most of his other tragedies I've read. Gilgamesh and Beowulf just never spoke to me. It's probably like you say, though, they really don't belong in high school either way.
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From:[info]culculhen
Date:December 27th, 2007 11:39 am (UTC)
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Beowolf probably would be more akin to having LotR 2 remake made by somebody a couple of hundred years into the future made by splicing the scripts of LotR & LotR 3

The poem was composed by somebody already foreign to the culture it descibes working with fragments. As a story itself it is flat and rather dissapointing, But Tolkien made a good case that it was supposed to be read as a good poem, not as a story. It should be judged on the beauty of the medium not the strength of the content.

Which was easy for him to say as poetry translates rather poorly and not everybody is talented enough to see the beauty in the original poem written in a long dead language.
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From:[info]goblinpaladin
Date:December 26th, 2007 07:07 am (UTC)
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Grendel kills people because he is banished from humanity -the community of God- and is a descendant of Cain. He is angry and bitter and lashes out at those within the community he is permanently exiled from.

Grendel's Mother kills because of the laws of kinship and revenge.

Beowulf kills them both because he is the defender of the community. Grendel is an -to use an ahistorical phrase- abomination before the Lord, so he must die. Also, he kills people. Also, Beowulf seeks glory.

Just to point out that we do know the reasons for these things, and it is all contained within the text itself. Points for reading Heaney's translation, though.

How did the Fiendish Codex compare with the old, 2nd edition, Planescape stuff?
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From:[info]theferrett
Date:December 26th, 2007 03:04 pm (UTC)
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I know all that, but frankly, that doesn't do it for me. Grendel has nothing to say, and is shown nothing aside from "God hates me and therefore I hate everything." His nature is practically nonexistent.

Likewise, Beowulf. He's the defender of the community and seeks glory. Why? Because it's what Good Men Do. Ain't much.

Fiendish Codex compares quite favorably with Planescape. In some ways, it's better. I'm astonished.
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From:[info]jasonlove
Date:December 27th, 2007 07:52 am (UTC)
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I remember reading Grendel years back. That seemed a far more entertaining read than any of the Beowulf-derived movie properties, but perhaps I am misremembering it.
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From:[info]jeffpalmatier
Date:December 26th, 2007 01:55 pm (UTC)
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The Dirt on Clean: An Unsanitized History, by Katherine Ashenberg

This book sounds fascinating, so I put it in my Amazon cart.

Speaking of ideas of cleanliness being relative, differences in standards of cleanliness apparently caused some tension in Metallica. Lars Ulrich immigrated from Denmark, which apparently has different standards of how often you should shower. This didn't set too well with his American raised bandmates who thought you should shower at least once a day.
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From:[info]theferrett
Date:December 26th, 2007 03:37 pm (UTC)
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Interesting. The European divide is brought up a lot here, and Ulrich probably needed to shower more than any of them.
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From:[info]jeffpalmatier
Date:December 26th, 2007 07:11 pm (UTC)
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Whoops. I should have used "emmigrate"! :-)
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From:[info]mamculuna
Date:December 26th, 2007 02:32 pm (UTC)
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Beowulf was composed be taken in slowly--heard from a scop on cold winter nights for the original audience, or translated word by word in our case. It's basically a poem, and not an action novel. So when we read it with the expectations that come from The Bourne Identity or Casino Royal, we look for things that are there and miss what is.

Beowulf the poem is a praise of community in a hostile wilderness. It's a recognition of the inevitability of death and loss. It's about a very simple hero with no conflicts, one who just celebrates the victory of human power over non-human, and the desire just to be that, to be known for what one is.

As a poem, it definitely wouldn't make much of a movie. I don't mind creating a new story using the characters and setting (I think of the recent versions as just very expensively produced fanfic) but why are we not able to deal with the simplicity of Beowulf as a character, the heart of the original? And why cover the face of an actor like Anthony Hopkins with a bunch of computer gunk?

Didn't totally love Golden Compass, but it was a much happier mix of technology and reality. The bears in GC had more human expression on their faces than the humans in Beowulf.

I thought the Icelandic Beowulf and Grendel from several years ago was a much better movie than this recent Beowulf.
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From:[info]cynic51
Date:December 26th, 2007 03:27 pm (UTC)
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Beowulf is pretty sweet live. There's a bloke (can't remember his name, but he went to Oberlin) who does the the poem in the original old English with the properly recreated musical instrument. One man on a bare stage on a stool, singing in barely comprehensible English. It's a lot better than that sounds.
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From:[info]mamculuna
Date:December 26th, 2007 03:46 pm (UTC)
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Oh, would have loved hearing that! There were a few lines in the recent movie, but went by too fast to get into it.
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From:[info]theferrett
Date:December 26th, 2007 03:53 pm (UTC)
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You've mentioned that a couple of times. I do wanna see it.
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From:[info]chris_walsh
Date:December 26th, 2007 07:39 pm (UTC)

A brief glimpse of a live reading of "Beowulf"

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This BBC2 clip about the film version of Beowulf and how it relates to the original poem includes a brief glimpse of a man reciting the poem in Old English while playing a musical instrument. I wonder if this is the same man you're referring to. (The clip also shows Neil Gaiman and Roger Avary, Caitlin R. Kiernan ([Unknown LJ tag]) who wrote the Beowuld novelization, and various scholars.)

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From:[info]chris_walsh
Date:December 26th, 2007 07:45 pm (UTC)

Revisionism!

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Misspelled Caitlin's LJ handle. Argh. It's [info]greygirlbeast. (And you know I didn't mean "Beowuld," right?)
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From:[info]andrewducker
Date:December 26th, 2007 03:48 pm (UTC)
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I thought Beowulf in the film _was_ simple. He's the man who does whatever is necessary to get the job done. Simple as that. Very nicely portrayed, I thought.

Mind you, I also liked the way the film was made.
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From:[info]mamculuna
Date:December 26th, 2007 03:57 pm (UTC)
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Yeah, he was more simple than many a modern, comlex character. But the stuff with Grendel's mom was a complicated that seemed out of place to me. And the dragon--he was enough as a dragon, didn't need to be B's son. Too much like Days of our Lives for me.

Maybe I should have seen the 3-D version--might have looked better. The effects, esp. the dragon's flight, were quite awesome, even in 2-D.
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From:[info]beckyzoole
Date:December 26th, 2007 06:20 pm (UTC)
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I really liked Beowulf and Grendel. I haven't seen Neil Gaiman's take on it yet, but I'm looking forward to it.

The Thirteenth Warrior was a fanfic that I liked as a movie but didn't like at all as a version of Beowulf.

My very favorite Beowulf, though, was a live performance for kids, done on a bare stage with minimal props by a very energetic and acrobatic troop of college drama students. They cut it tremendously but managed to preserve much of the poetry and worldview of the original. Grendel was represented by a life-sized puppet draped in a fishnet with seaweed hanging off of him, and his mother was not shown at all. This was very, very effective, too!
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From:[info]mamculuna
Date:December 26th, 2007 08:27 pm (UTC)
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Oh, that live version sounds so delightful!

And want to say that the Gaiman Beowulf was a fun movie--but was a thing of its own, as is usually the case with films from literature.

My main argument here is that the oral/written Beowulf just isn't a third-rate leftover.
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From:[info]daughterofodhin
Date:December 26th, 2007 02:55 pm (UTC)

Beowulf

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You know, the more I think about it, (it's probably been 20 years since I read it too) you're right.

Thank god for creative license.
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From:[info]fey_touched
Date:December 26th, 2007 03:14 pm (UTC)
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I was disappointed in The Year of Living Biblically, too. I loved The Know-It-All (thanks for the recommendation, since this is what led to me reading it), but the Bible book fell flat.He said at both the beginning and end of the book that the person he was at the start of the experiment was very different from the person at the end, but I didn't feel like he shared enough of himself in the book so that we could SEE the transformation. After a disappointingly sparse few chapters on Christianity and the Bible (let's see what Falwell does! Let's concentrate on those loony evangelicals rather than explore any of the impacts different interpretations of New Testament passages have had on the past 2,000 years of history!), the book came to a hurried and abrupt conclusion. An epilogue or something about what the traditions he planned to continue doing despite the project ending or whether he was going to raise his sons in a less secular household would have helped immensely. Instead I'm left to think that he did this kooky Bible thing for a year just to produce a book. Not a bad thing, but a far less interesting thing than a secular person's journey to finding some value in spirituality.
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From:[info]theferrett
Date:December 26th, 2007 03:38 pm (UTC)
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Yup. Agreed on all points. It felt like a trick, not an actual view into someone's life - whereas The Know-it-all felt like a journey.
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From:[info]roninspoon
Date:December 26th, 2007 03:46 pm (UTC)
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If you enjoyed Military Misfortunes at all, I'd also recommend Imperial Grunts by Robert Kaplan. The author imbeds with several Army Special Forces and Marine units stationed around the world in the build up to and during the Iraq War. What he delivers isn't an expose on tactics, maneuvers or operations, but rather a view of the modern soldier. Kaplan peels back the mystique of the soldier and presents their day to day life against the back drop of a social dissection of the perceived role of the military versus the reality.

The books offers a rare, honest, glimpse into the real world of being a soldier; why they do it, how they feel about those that protest war, how rampant evangelical Christianity is, and the goals of the military moving into the 21st century.

It's an excellent book for anyone who wants to try and understand the military and the people who volunteer for it.
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From:[info]theferrett
Date:December 26th, 2007 09:19 pm (UTC)
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I've Wishlisted it. It looks neat.
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From:[info]caelestis25
Date:December 27th, 2007 04:21 am (UTC)
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I really enjoyed The year of Living Biblically. It had great laugh out loud moments, and was thoroughly readable. In fact, I've recommended it to all my friends and I've loaned out my copy to two of them already.

Then again, I haven't read the Know-It-All yet...

While I agree that I was hoping it might affect him differently, and for more personal interactions with his wife/son/other family rather than the snippets we got, I still think this book deserves more than just a "fun but meh" rating.

Vive la diferrance!
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